LUFS levels. What do they need to be?

I have a question.

When mastering track for submissions for TV, FILM and NETFLIX etc… what LUFS level should I aim for?
Does it need to be lower than streaming and radio play levels?

1 Like

Last time I checked it was -14 LUFS…which if I remember correctly is the same as streaming media …I’m sure if I’m incorrect somebody will chime in and correct me .

Okay , if you’re going to spec its -23LUFS with a dynamic range of 15LU … this applys to film and will cross over to television …

This is from the broadcast spec …EBU R128


Perfect!! This is what I needed to know. also keeping the dynamic range 15LU… All helpful…

I’m purchasing the tc helicon Clarity-M …hardware monitor for my studio this year …will let you know how that all works out …