Everett here. Iāll listen to everyoneās music, I promise.
Hereās where you can hear a lot of mine:
EverettYoungScoring.com
More about me:
Iām 50, live in Florida, USA. I am a lifelong musician but have drifted in and out of music as I tried (and always failed to stay at it long enough to succeed) at other careers. For example, I have a PhD in political science but never got a tenure-track professor job. Maybe I was too weird a candidate.
I got into composing for the orchestra 3 years ago.
Iām a piano player. I should be way better than I am, and this is one of my great frustrations, but Iām working hard daily on my piano skills and I think Iāll be competent enough to start taking jazz piano gigs by the end of this year. Practicing jazz piano does certainly take away from composing time, but right now both journeys are equally important to me.
I was a pop/rock/soul producer guy for most of my decades in music. I git into mastering 5 years ago and I think I do a great job of that, and still take some mastering jobs, although I donāt focus on it anymore. Itās composing and piano playing daily.
As a composer, Iām old-school. John Willians and John Barry are my two biggest influences. I worshiped them both when I was a kid. I still donāt know why I didnāt pursue film scoring from age 9, but better late than never.
I often do hybrid and synth stuff, but the orchestra alone remains my favorite palette to color with. When writing for orchestra, I always create on piano first. (Well, Kontakt piano, usually the NY Steinway.) I orchestrate later. I started out this way because thatās how my heroes do it, but I think this also yields a different outcome than composing using already loaded soundsānot a ābetterā outcome, just one that better translates my musical instincts.
Also, I despise Donald Trump but fear he is likely to be re-elected. If he is, I worry for the future of democracy worldwide. I think many Americans who see the truth about Trump suffer from a kind of Trump depression syndrome. I certainly do.
Yes, I am I unafraid to talk politics. Most musicians are pretty close to me ideologically, but I enjoy talking to people who disagree with me about politics, even though nobodyās mind ever changes.
My current musical goals are focused on developing a formidable harmonic vocabulary and getting my orchestrations to shimmer with more and richer layers, more movement. And of course jazz piano.
My career in scoring seems stuck in neutral, but Iām hacking away at it.