Videogame Music from a Game Developer Point of View

Hello everyone!

When I registered in the community some days ago I wrote that I am an Indie Game Developer in training and my goal here is to learn how to compose my own music and to understand how music composers work so that, if I should ever collaborate with one, I would understand what he is doing.

I’ve been told that it would be interesting to hear something about how a game developer “thinks” about music compositions so… even tho I’m really no expert yet and I’ve mostly done simple “game jams” games, I tought I might as well try and share some insight on the subject.


Most of the times, unless we’re talking about very big productions, developers like the music for the game to be short.

We’re talking about 30 seconds to 2 minutes long.

For retro style games for example, a simple town theme could easely be a 30 second loop repeating itself… a lot of times more than 2 minutes is kinda considered “too much”… but of course this is something that can be talked about with the team.

The important thing is that it needs to be perfectly loopable. That usually means no “Introduction” or “ending” sequences because it would break the “rhytm” of the game up.


This probably isn’t the right terminology for what I want to talk about (language barriers are a bad thing) BUT I’ll do my best to explain.

In games were there is an alternating of calm and action moments many developers like their music to “adjust” to the situation. This is quite hard to do as the transition between “calm” and “action” usually needs to be flawless but it can be achieved.

From what I know so far (I’ll definitly look into it more in the future) this is achieved by having two musical pieces playing at the same time BUT one, usually the calm one, has the volume up while the other, the action one, usually has the volume at 0.

The two pieces should go perfectly togheter, like a base and a main melody, so that when the action comes the developer will rise the second track volume up and it will seemlessly “blend” with the base thus changing the whole athmosphere of the game with no no “breaks” in between.

The same would happen at the end of a combat sequence were the volume of the second track would be brought down to 0 again and only the “calm” base will still be audible.

This are, as of now, the best Tips I am able to do about videogame music BUT i want to go a little more in depth.


If anyone’s interested in composing for videogames than you liuterally should know what a game jam is as a lot of famous indie games (like for example hollow knight) come from those.

A “Game Jam” is an event, like the ones you’re having in this community were you have 1 month of time to compose a track.

A Game Jam has a specific time limit that usually goes from 2 days to 1 month of time. At the beginning of the jam you’re given a theme and you have to create a complete game/prototype in the time limit you’re given.

That means concept, graphic, story AND music… in that time limit.

At times some specific jams wants a developer to do EVERYTHING on his own but most of the time it’s possible to form teams.

A lot of Jams are very little BUT there are some very MASSIVE ones.

The more famous ones in the world would probably be the Ludum Dare and the GMMK (I think it’s spelled like this) that usually have thousands of entries.

Can’t speak for the GMMK one as I’ve never joined it but I can say that for the latest Ludum Dare we had something like 4500 entries for the “normal” category (the one were you can form teams and get 2-3 days as a time limit) and about a 1000 I think for the “Solo” category (where you only have 2 days and have to do EVERYTHING on your own).

Every aspect of the game is rated separatedly and as such you get a “Music” category on its own and then all of the different votes are joined togheter for an “overall” that ranks the game.

What I can say is that if a composer manages to create a soundtrack that takes the top spots in these kind of Jams… he’ll have a big chance of advertising him/herself in the gaming community.

Also… when it’s Jam time you will find a LOT of developers looking for artist and composers and teaming up can be an absolutly awesome way to know people that might become “allies” in the future :slight_smile:

I know for example that the team I joined up with for the latest Ludum Dare was a very good one, I was in charge of coding and I had a graphical artist and a music composer… our game came in at about 500th place if I remember correctly… not bad… and for sure all of us know that in another time, if there’s chance, we’ll definitly team up again be it either for a jam game or for a complete production.

To know about Game Jams yuou might want to add to your bookmarks a website called “” as it has a TON of game jams published and it’s kind of a "go to " website for every indie game developer… even for ones that already has commercial success.

Ok… I think I’ve said what I can for now… I hope this post was of use to you guys… if it was I’ll be sure to share more tips and insights as I get more experience in the game developing field :slight_smile:


Wow thank you Luca, what an excellent post! :slight_smile:
Would you mind if I shared this post on my blog as well? (giving full credit to you of course).

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If you’re fine with my very bad writing… no problem :slight_smile:

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Absolutely loved your take on this, thank you for going into such detail. Here’s the blog post below (I fixed some spelling errors). Btw, do you have a website I can link to for your video game work, or music?

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Let’s see… as I said I am “in training” so I don’t have any “big game” that were made… I have a discord, youtube, twitter (I do follow you on twitter :stuck_out_tongue: ) and facebook but they’re all kind of empty at the moment.

I guess I could share the itch page with the little jam games I made (2 days games ^^):

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